, secondo cui "this intangible cultural heritage is constantly recreated by communities and groups in response to their environment, their interaction with
. Come nei settori for profit il "prodotto" lirico dovrebbe essere progettato per specifici target-groups di spettatori ed indirizzato ad essi facendo
the rights of targeted persons, groups and entities to defence and to an effective judicial remedy. This approach is soundly grounded in EU law and
Accademia della crusca
