feticci della società di consumo (Just What Is It that Makes Today’s Homes So Different, So Appealing?, 1956). Qualcosa di simile accade anche nei
critica d'arte
Pagina 45
is reached in the dash, the supple interplay of muscolar strain between horse and rider, - a tension more than visible, far we react to it in our own
critica d'arte
Pagina 348