| appare evidente a proposito della Cena (p. 105): «Now that | we | have discussed the genesis of Leonardo great work and have |
| great work and have gained some idea of its formal beauty | we | are prepared to study the motive in itself and in its |
| between horse and rider, - a tension more than visible, far | we | react to it in our own muscular memories and potentials», |
| and for Becoming, that common sense is right, and that | we | can change the future»22. |
| Judy Chicago, Mary Kelly e Gina Pane. Nel progetto Where | We | Come From (2001-2003) l’artista Emily Jacir (nata a |
Accademia della crusca
